Art Images

Access to the content is restricted to current SFU faculty, students, and staff.

SFU Library's Art Images is a collection of online images documenting a broad range of art in support of teaching, learning, and research at SFU. Currently, the collection is composed of over 6000 images with an emphasis on the history of Western Art.

Access to the content is restricted to current SFU faculty, students, and staff.

SFU Library's Art Images is a collection of online images documenting a broad range of art in support of teaching, learning, and research at SFU. Currently, the collection is composed of over 6000 images with an emphasis on the history of Western Art.

Contributed by Simon Fraser University Library.

Copyright and Terms of use

  • Images are licensed for research and classroom use at SFU. See the rights statements in individual image records for other allowed uses (e.g. assignments, presentations, etc.). Images in this collection are licensed on behalf of members of the SFU community for educational, non-commercial, and personal use only.
  • See each item for more detailed Copyright and Terms of use information. 

Search within Collection

Displaying 1696 - 1710 of 6647

Erechtheion (1999)

Description: Greek Classical Period. View of South Porch from SE. Restored 1990s.

Erechtheion (1999)

Description: Greek Classical Period. View of South Porch from SW. Restored 1990s.

Erechtheion (1999)

Description: Greek Classical Period. Detail of E colonnade and entablature. Restored 1990s.

Erechtheion (1999)

Description: Greek Classical Period. Overall view of W front with olive tree of Athena. Restored 1990s.

Et in Arcadia Ego

Description: Northern Baroque. Artist's nationality: France.

Etretat: Sunset

Description: Impressionism. Artist's nationality: France.

Eugène Pelletan

Description: A few years before he took this photograph, Nadar wrote a thumbnail biography of the fiery, combative man it lionizes. "The number one French critic … who is at the same time a poet, a man of style, and a man with heart. … I have read critical articles by