Art Images

Access to the content is restricted to current SFU faculty, students, and staff.

SFU Library's Art Images is a collection of online images documenting a broad range of art in support of teaching, learning, and research at SFU. Currently, the collection is composed of over 6000 images with an emphasis on the history of Western Art.

Access to the content is restricted to current SFU faculty, students, and staff.

SFU Library's Art Images is a collection of online images documenting a broad range of art in support of teaching, learning, and research at SFU. Currently, the collection is composed of over 6000 images with an emphasis on the history of Western Art.

Contributed by Simon Fraser University Library.

Copyright and Terms of use

  • Images are licensed for research and classroom use at SFU. See the rights statements in individual image records for other allowed uses (e.g. assignments, presentations, etc.). Images in this collection are licensed on behalf of members of the SFU community for educational, non-commercial, and personal use only.
  • See each item for more detailed Copyright and Terms of use information. 

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Displaying 2251 - 2265 of 6647

Helene Fourmant (1614-73)? the Artist's Wife, with Two of Their Children

Description: Northern Baroque. Artist's nationality: Flanders.

Helmet Mask

Description: In the socially and politically stratified polities of the Grassfields Kingdoms of Cameroon, the display and ownership of masks are important indicators of privilege and prestige. This royal mask has been enhanced with costly and prestigious materials suc

Helmet Mask (Gelede)

Description: Yoruba; Object Place: Nigeria, Guinea Coast

Helmet Mask (Gelede)

Description: Yoruba, Ketu group; Object Place: Nigeria or Republic of Benin, Guinea Coast

Helmet Mask: Janus

Description: Object Place: Gabon

Henri-Charles Maniglier

Description: About the time this photograph was taken, the sculptor Maniglier (1826-1901) was among the artists selected to execute the monumental sculptures that ornament Napoleon III's grandiose new Louvre. Exhibiting in the Salons of 1856, 1863, and 1868, Maniglier