Search results

Title: MOA Totem Pole Detail
Description: Detail of a Bill Reid pole at the Haida Village at the Museum of Anthropology. At the centre of the complex are two Haida houses and six poles created between 1960 and 1962 by the late Haida artist Bill Reid and 'Namgis artist Doug Cranmer. The two cedar-plank houses are of great historical significance, and were likely the first traditional-style
Show moreDetail of a Bill Reid pole at the Haida Village at the Museum of Anthropology. At the centre of the complex are two Haida houses and six poles created between 1960 and 1962 by the late Haida artist Bill Reid and 'Namgis artist Doug Cranmer. The two cedar-plank houses are of great historical significance, and were likely the first traditional-style Haida dwellings to be built in the 20th century. 66-8-
Show less
Date: 1966, 1966

Title: Haida Village at MOA
Description: Detail of a Bill Reid pole at the Haida Village at the Museum of Anthropology. At the centre of the complex are two Haida houses and six poles created between 1960 and 1962 by the late Haida artist Bill Reid and 'Namgis artist Doug Cranmer. The two cedar-plank houses are of great historical significance, and were likely the first traditional-style
Show moreDetail of a Bill Reid pole at the Haida Village at the Museum of Anthropology. At the centre of the complex are two Haida houses and six poles created between 1960 and 1962 by the late Haida artist Bill Reid and 'Namgis artist Doug Cranmer. The two cedar-plank houses are of great historical significance, and were likely the first traditional-style Haida dwellings to be built in the 20th century.
Show less
Date: 1966, 1966

Title: Pole at Haida Village, MOA
Description: Detail of a Bill Reid pole at the Haida Village at the Museum of Anthropology. At the centre of the complex are two Haida houses and six poles created between 1960 and 1962 by the late Haida artist Bill Reid and 'Namgis artist Doug Cranmer. The two cedar-plank houses are of great historical significance, and were likely the first traditional-style
Show moreDetail of a Bill Reid pole at the Haida Village at the Museum of Anthropology. At the centre of the complex are two Haida houses and six poles created between 1960 and 1962 by the late Haida artist Bill Reid and 'Namgis artist Doug Cranmer. The two cedar-plank houses are of great historical significance, and were likely the first traditional-style Haida dwellings to be built in the 20th century. 66-8-
Show less
Date: 1966, 1966

Title: Pole Detail
Description: Detail of a Bill Reid pole at the Haida Village at the Museum of Anthropology. At the centre of the complex are two Haida houses and six poles created between 1960 and 1962 by the late Haida artist Bill Reid and 'Namgis artist Doug Cranmer. The two cedar-plank houses are of great historical significance, and were likely the first traditional-style
Show moreDetail of a Bill Reid pole at the Haida Village at the Museum of Anthropology. At the centre of the complex are two Haida houses and six poles created between 1960 and 1962 by the late Haida artist Bill Reid and 'Namgis artist Doug Cranmer. The two cedar-plank houses are of great historical significance, and were likely the first traditional-style Haida dwellings to be built in the 20th century. 67-7-
Show less
Date: 1967, 1967

Title: Totem Pole Profile
Description: Detail of a Bill Reid pole at the Haida Village at the Museum of Anthropology. At the centre of the complex are two Haida houses and six poles created between 1960 and 1962 by the late Haida artist Bill Reid and 'Namgis artist Doug Cranmer. The two cedar-plank houses are of great historical significance, and were likely the first traditional-style
Show moreDetail of a Bill Reid pole at the Haida Village at the Museum of Anthropology. At the centre of the complex are two Haida houses and six poles created between 1960 and 1962 by the late Haida artist Bill Reid and 'Namgis artist Doug Cranmer. The two cedar-plank houses are of great historical significance, and were likely the first traditional-style Haida dwellings to be built in the 20th century. 67-7-
Show less
Date: 1967, 1967

Title: Gitanyow
Description: Adelaide de Menil, in communication with Bill Reid, traveled the Northwest Coast from Vancouver Island to Southeast Alaska photographing the monumental art of Coastal First Nations. Many of the images she captured show totem poles and architecture in the final stages of decay before returning to the forest. The title of these images reflect the
Show moreAdelaide de Menil, in communication with Bill Reid, traveled the Northwest Coast from Vancouver Island to Southeast Alaska photographing the monumental art of Coastal First Nations. Many of the images she captured show totem poles and architecture in the final stages of decay before returning to the forest. The title of these images reflect the date that they were taken, and the roll and frame number assigned by Ms. de Menil.
Show less
Date: 1967, 1967

Title: Cape Fox
Description: Adelaide de Menil, in communication with Bill Reid, traveled the Northwest Coast from Vancouver Island to Southeast Alaska photographing the monumental art of Coastal First Nations. Many of the images she captured show totem poles, and architecture in the final stages of decay before returning to the forest. The title of these images reflect the
Show moreAdelaide de Menil, in communication with Bill Reid, traveled the Northwest Coast from Vancouver Island to Southeast Alaska photographing the monumental art of Coastal First Nations. Many of the images she captured show totem poles, and architecture in the final stages of decay before returning to the forest. The title of these images reflect the date that they were taken, and the roll and frame number assigned by Ms. de Menil.
Show less
Date: 1966, 1966

Title: Cape Fox
Description: Adelaide de Menil, in communication with Bill Reid, traveled the Northwest Coast from Vancouver Island to Southeast Alaska photographing the monumental art of Coastal First Nations. Many of the images she captured show totem poles, and architecture in the final stages of decay before returning to the forest. The title of these images reflect the
Show moreAdelaide de Menil, in communication with Bill Reid, traveled the Northwest Coast from Vancouver Island to Southeast Alaska photographing the monumental art of Coastal First Nations. Many of the images she captured show totem poles, and architecture in the final stages of decay before returning to the forest. The title of these images reflect the date that they were taken, and the roll and frame number assigned by Ms. de Menil.
Show less
Date: 1966, 1966

Title: Gitanyow
Description: Adelaide de Menil, in communication with Bill Reid, traveled the Northwest Coast from Vancouver Island to Southeast Alaska photographing the monumental art of Coastal First Nations. Many of the images she captured show totem poles and architecture in the final stages of decay before returning to the forest. The title of these images reflect the
Show moreAdelaide de Menil, in communication with Bill Reid, traveled the Northwest Coast from Vancouver Island to Southeast Alaska photographing the monumental art of Coastal First Nations. Many of the images she captured show totem poles and architecture in the final stages of decay before returning to the forest. The title of these images reflect the date that they were taken, and the roll and frame number assigned by Ms. de Menil.
Show less
Date: 1967, 1967

Title: Gitsegukla
Description: Adelaide de Menil, in communication with Bill Reid, traveled the Northwest Coast from Vancouver Island to Southeast Alaska photographing the monumental art of Coastal First Nations. Many of the images she captured show totem poles, and architecture in the final stages of decay before returning to the forest. The title of these images reflect the
Show moreAdelaide de Menil, in communication with Bill Reid, traveled the Northwest Coast from Vancouver Island to Southeast Alaska photographing the monumental art of Coastal First Nations. Many of the images she captured show totem poles, and architecture in the final stages of decay before returning to the forest. The title of these images reflect the date that they were taken, and the roll and frame number assigned by Ms. de Menil.
Show less
Date: 1967, 1967

Title: Gitsegukla
Description: Adelaide de Menil, in communication with Bill Reid, traveled the Northwest Coast from Vancouver Island to Southeast Alaska photographing the monumental art of Coastal First Nations. Many of the images she captured show totem poles, and architecture in the final stages of decay before returning to the forest. The title of these images reflect the
Show moreAdelaide de Menil, in communication with Bill Reid, traveled the Northwest Coast from Vancouver Island to Southeast Alaska photographing the monumental art of Coastal First Nations. Many of the images she captured show totem poles, and architecture in the final stages of decay before returning to the forest. The title of these images reflect the date that they were taken, and the roll and frame number assigned by Ms. de Menil.
Show less
Date: 1967, 1967

Title: Gitanmaax
Description: Adelaide de Menil, in communication with Bill Reid, traveled the Northwest Coast from Vancouver Island to Southeast Alaska photographing the monumental art of Coastal First Nations. Many of the images she captured show totem poles, and architecture in the final stages of decay before returning to the forest. The title of these images reflect the
Show moreAdelaide de Menil, in communication with Bill Reid, traveled the Northwest Coast from Vancouver Island to Southeast Alaska photographing the monumental art of Coastal First Nations. Many of the images she captured show totem poles, and architecture in the final stages of decay before returning to the forest. The title of these images reflect the date that they were taken, and the roll and frame number assigned by Ms. de Menil.
Show less
Date: 1967, 1967

Title: Gitanyow
Description: Adelaide de Menil, in communication with Bill Reid, traveled the Northwest Coast from Vancouver Island to Southeast Alaska photographing the monumental art of Coastal First Nations. Many of the images she captured show totem poles and architecture in the final stages of decay before returning to the forest. The title of these images reflect the
Show moreAdelaide de Menil, in communication with Bill Reid, traveled the Northwest Coast from Vancouver Island to Southeast Alaska photographing the monumental art of Coastal First Nations. Many of the images she captured show totem poles and architecture in the final stages of decay before returning to the forest. The title of these images reflect the date that they were taken, and the roll and frame number assigned by Ms. de Menil.
Show less
Date: 1967, 1967

Title: Gitanyow
Description: Adelaide de Menil, in communication with Bill Reid, traveled the Northwest Coast from Vancouver Island to Southeast Alaska photographing the monumental art of Coastal First Nations. Many of the images she captured show totem poles and architecture in the final stages of decay before returning to the forest. The title of these images reflect the
Show moreAdelaide de Menil, in communication with Bill Reid, traveled the Northwest Coast from Vancouver Island to Southeast Alaska photographing the monumental art of Coastal First Nations. Many of the images she captured show totem poles and architecture in the final stages of decay before returning to the forest. The title of these images reflect the date that they were taken, and the roll and frame number assigned by Ms. de Menil.
Show less
Date: 1967, 1967

Title: Chaatl
Description: Adelaide de Menil, in communication with Bill Reid, traveled the Northwest Coast from Vancouver Island to Southeast Alaska photographing the monumental art of Coastal First Nations. Many of the images she captured show totem poles, and architecture in the final stages of decay before returning to the forest. The title of these images reflect the
Show moreAdelaide de Menil, in communication with Bill Reid, traveled the Northwest Coast from Vancouver Island to Southeast Alaska photographing the monumental art of Coastal First Nations. Many of the images she captured show totem poles, and architecture in the final stages of decay before returning to the forest. The title of these images reflect the date that they were taken, and the roll and frame number assigned by Ms. de Menil.
Show less
Date: 1968, 1968

Title: Gitanyow
Description: Adelaide de Menil, in communication with Bill Reid, traveled the Northwest Coast from Vancouver Island to Southeast Alaska photographing the monumental art of Coastal First Nations. Many of the images she captured show totem poles and architecture in the final stages of decay before returning to the forest. The title of these images reflect the
Show moreAdelaide de Menil, in communication with Bill Reid, traveled the Northwest Coast from Vancouver Island to Southeast Alaska photographing the monumental art of Coastal First Nations. Many of the images she captured show totem poles and architecture in the final stages of decay before returning to the forest. The title of these images reflect the date that they were taken, and the roll and frame number assigned by Ms. de Menil.
Show less
Date: 1967, 1967

Title: Gitsegukla
Description: Adelaide de Menil, in communication with Bill Reid, traveled the Northwest Coast from Vancouver Island to Southeast Alaska photographing the monumental art of Coastal First Nations. Many of the images she captured show totem poles, and architecture in the final stages of decay before returning to the forest. The title of these images reflect the
Show moreAdelaide de Menil, in communication with Bill Reid, traveled the Northwest Coast from Vancouver Island to Southeast Alaska photographing the monumental art of Coastal First Nations. Many of the images she captured show totem poles, and architecture in the final stages of decay before returning to the forest. The title of these images reflect the date that they were taken, and the roll and frame number assigned by Ms. de Menil.
Show less
Date: 1967, 1967

Title: Gitsegukla
Description: Adelaide de Menil, in communication with Bill Reid, traveled the Northwest Coast from Vancouver Island to Southeast Alaska photographing the monumental art of Coastal First Nations. Many of the images she captured show totem poles, and architecture in the final stages of decay before returning to the forest. The title of these images reflect the
Show moreAdelaide de Menil, in communication with Bill Reid, traveled the Northwest Coast from Vancouver Island to Southeast Alaska photographing the monumental art of Coastal First Nations. Many of the images she captured show totem poles, and architecture in the final stages of decay before returning to the forest. The title of these images reflect the date that they were taken, and the roll and frame number assigned by Ms. de Menil.
Show less
Date: 1967, 1967

Title: Howkan
Description: Adelaide de Menil, in communication with Bill Reid, traveled the Northwest Coast from Vancouver Island to Southeast Alaska photographing the monumental art of Coastal First Nations. Many of the images she captured show totem poles, and architecture in the final stages of decay before returning to the forest. The title of these images reflect the
Show moreAdelaide de Menil, in communication with Bill Reid, traveled the Northwest Coast from Vancouver Island to Southeast Alaska photographing the monumental art of Coastal First Nations. Many of the images she captured show totem poles, and architecture in the final stages of decay before returning to the forest. The title of these images reflect the date that they were taken, and the roll and frame number assigned by Ms. de Menil.
Show less
Date: 1968, 1968

Title: Gitanyow
Description: Adelaide de Menil, in communication with Bill Reid, traveled the Northwest Coast from Vancouver Island to Southeast Alaska photographing the monumental art of Coastal First Nations. Many of the images she captured show totem poles and architecture in the final stages of decay before returning to the forest. The title of these images reflect the
Show moreAdelaide de Menil, in communication with Bill Reid, traveled the Northwest Coast from Vancouver Island to Southeast Alaska photographing the monumental art of Coastal First Nations. Many of the images she captured show totem poles and architecture in the final stages of decay before returning to the forest. The title of these images reflect the date that they were taken, and the roll and frame number assigned by Ms. de Menil.
Show less
Date: 1967, 1967

Simon Fraser University
Engaging the World

Library

SFU Digitized Collections

You are here

Pages

Pages