George and Joanne MacDonald Northwest Coast Image Archive

The Bill Reid Centre's George and Joanne MacDonald Image Archive contains images of Northwest Coast First Peoples, their villages, and their visual and material belongings. Many of the images collected by the MacDonalds are not unique, and can be found in museums and archives around the world. Throughout his career, Dr. MacDonald sought to bring these important resources together under one roof with the intent of creating access for Northwest Coast First Nations, and in particular artists, whose passion for historic imagery and visual documentation of their cultural belongings he witnessed first-hand. The archive is a reflection of the MacDonalds' research interests, their careers in archaeology and anthropology, their many relationships in the field, and their deep respect and admiration of the diverse nations of the Northwest Coast.

Contributed by The Bill Reid Centre, Simon Fraser University.

Copyright and Terms of use

See individual items for detailed Copyright and Terms of use information. 

 

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Displaying 1591 - 1605 of 5804

Double-Post Mortuary

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Date: 1897
Name(s): Dorsey, George A. (George Amos), 1868-1931
Description: A double-post mortuary withe the two support posts carved like eagle legs that has tree growth growing out of the posts. Directly in front of the mortuary is the frontal pole of the Killer Whale House.

Dr. Kude's House

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Date: 1884 to 1888
Name(s): Maynard, Richard, 1832-1907
Description: Dr. Kude's house was the oldest house standing at Masset. The crest at the base detailing a beaver with a gnawed stick and tail bent up with a human face on it, and a large standing bear with cubs in its ears shown eating a person probably represents the Bear Hunter story.

Dragonfly Bow

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Name(s): MacDonald, George F.
Description: Painted image of a dragon fly on the inside of a bow. Bone tipped harpoon and fish hooks can also be seen in the display.

Dragonfly Helmet

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Name(s): Sawyer, Alan R. (Alan Reed), ‏ 1919-2002
Description: War helmet depicting a dragonfly.

Drawing Design with a Pencil

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Date: 1972
Description: Freda Diesing carving a mask at the 'Ksan studio, Hazelton

Drawing the Design

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Date: 1972
Description: Leonard Duncan decorating a bentwood box. The body of a bentwood box is steamed and formed using a single piece of Western Red Cedar. It is a practice unique to the Northwest Coast of North America. Traditional uses of the boxes are varied and include storage of food goods, clothing and burial. Many were not decorated while others were decorated elaborately.

Drawing the Design

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Date: 1972
Description: Leonard Duncan decorating a bentwood box. The body of a bentwood box is steamed and formed using a single piece of Western Red Cedar. It is a practice unique to the Northwest Coast of North America. Traditional uses of the boxes are varied and include storage of food goods, clothing and burial. Many were not decorated while others were decorated elaborately.

Drawing the Design

Ksan%20Historical%20Village_312-Thumbnail Image.jpg
Date: 1972
Description: Leonard Duncan decorating a bentwood box. The body of a bentwood box is steamed and formed using a single piece of Western Red Cedar. It is a practice unique to the Northwest Coast of North America. Traditional uses of the boxes are varied and include storage of food goods, clothing and burial. Many were not decorated while others were decorated elaborately.

Drawing the Design

Ksan%20Historical%20Village_313-Thumbnail Image.jpg
Date: 1972
Description: Leonard Duncan decorating a bentwood box. The body of a bentwood box is steamed and formed using a single piece of Western Red Cedar. It is a practice unique to the Northwest Coast of North America. Traditional uses of the boxes are varied and include storage of food goods, clothing and burial. Many were not decorated while others were decorated elaborately.

Dried Berries

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Date: 1972
Description: Huckelberries drying. The gitxsan name for huckleberries is sim maa'y, meaning ""the real, the true berry"". They are the favored berry for drying as they retain their flavour well, and are easy to roll when dry These scenes of food processing were initiated in order to create colour images of practices that were partially captured in earlier black and white photographs and in early texts such as those written by Marius Barbeau and William Beynon. The Book Builders of 'Ksan produced a volume on…

Drifted-Aside or Drifted-to-One-Side

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Date: 2009
Name(s): MacDonald, George F.
Description: At the top of this pole of Chief Gwinuu is the Pearled-Raven or All-Abalone-Pearl-Raven, who is standing on the head of Gisgyawtu's head. Gisgyawtu is holding the pearl bow in his hands.

Drifted-Aside or Drifted-to-One-Side

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Date: 2009
Name(s): MacDonald, George F.
Description: Pole of the house of Gwinuu'. Detail of the Pearled-Raven, and an ancestor, Gisgyawtu (Drifted-Aside). Gisgyawtu landed on the coast of Alaska after the Great Flood had abated. Originally, the figure held a bow of abalone pearl with which he killed a monster known as Black-Bear-of-the-Water.

Drifted-Aside Pole

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Date: 1966
Name(s): Ochs, Peter
Description: At the top of the pole is the Pearled-Raven or All-Abalone-Pearl-Raven, who is standing on the head of Gisgyawtu, who is holding a pearl bow.

Driftwood and Beach

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Date: 1968
Name(s): De Menil, Adelaide
Description: Beach and shoreline at village site. Kaisun is a village on the west coast of Moresby Island. It is located at the east end of Inskip Channel, due south of Cha'atl village, with which it has close ties.

Driftwood on the Beach

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Date: 1968
Name(s): De Menil, Adelaide
Description: Beach and shoreline at village site. Kaisun is a village on the west coast of Moresby Island. It is located at the east end of Inskip Channel, due south of Cha'atl village, with which it has close ties.