George and Joanne MacDonald Northwest Coast Image Archive

The Bill Reid Centre's George and Joanne MacDonald Image Archive contains images of Northwest Coast First Peoples, their villages, and their visual and material belongings. Many of the images collected by the MacDonalds are not unique, and can be found in museums and archives around the world. Throughout his career, Dr. MacDonald sought to bring these important resources together under one roof with the intent of creating access for Northwest Coast First Nations, and in particular artists, whose passion for historic imagery and visual documentation of their cultural belongings he witnessed first-hand. The archive is a reflection of the MacDonalds' research interests, their careers in archaeology and anthropology, their many relationships in the field, and their deep respect and admiration of the diverse nations of the Northwest Coast.

Contributed by The Bill Reid Centre, Simon Fraser University.

Copyright and Terms of use

See individual items for detailed Copyright and Terms of use information. 

 

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Displaying 5221 - 5235 of 5804

Trade Muskets

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Name(s): MacDonald, George F.
Description: Bill Holm, 1943-2009 collection of trade muskets. 3rd one down has Haida style carving. Dragon symbol indicates Hudson's Bay company trade gun.

Train Tunnel in the Lower Canyon

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Date: 1970 to 1975
Name(s): MacDonald, George F.
Description: Lower west side of the Kitselas Canyon

Transformation Mask

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Date: 1972
Description: Transformation mask created by artists at the Gitanmaax School of Northwest Coast Indian Art, Ksan Historical Village.

Transformation Mask

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Date: 1972
Description: Transformation mask Art works created by students of the Gitanmaax School of Northwest Coast Indian Art located at the 'Ksan Historical Village.

Transformation Mask

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Date: 1972
Description: Transformation mask. Art works created by students of the Gitanmaax School of Northwest Coast Indian Art located at the 'Ksan Historical Village.

Transformation Mask

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Date: 1972
Description: Transformation mask. Ksan Heritage Village, mask and head gear. Photo for ""On the Breath of Our Grandfathers"" catalogue by G.MacDonald.

Transformation Mask

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Date: 1972
Description: Art Sterritt wearing transformation mask

Transformation Mask and Button Blanket Display

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Date: 1972
Name(s): MacDonald, George F.
Description: Gitksan, 'Ksan village performers. Chief Hale, (Walter Harris) and Art Sterritt in mask.

Transforming bird charm

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Description: detail shot of carved bone amulet in form of human.

Treatment of First Salmon

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Date: 1972
Description: Ritual treatment of first salmon. Re-enactment of the First Salmon Ceremony performed by the 'Ksan Performing Arts Group. The re-enactment is based on the narrative recorded by Franz Boas for the Gitselesu of Kitselas Canyon.

Treatment of First Salmon

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Date: 1972
Description: Ritual treatment of first salmon Re-enactment of the First Salmon Ceremony performed by the 'Ksan Performing Arts Group. The re-enactment is based on the narrative recorded by Franz Boas for the Gitselesu of Kitselas Canyon. n.

Tree Carving

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Description: Humanoid figure carved into a tree at Ank'idaa, date unknown.

Tree Splitting Pole

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Date: 1967
Name(s): De Menil, Adelaide
Description: A tree that is growing through a totem pole

Tree that was once harvested for its Bark

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Date: 1980 to 1985
Description: Culturally modified tree. The bark from this tree has been harvested at some time in the past.

Triple Mortuary

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Date: 1968
Name(s): De Menil, Adelaide
Description: A set of three carved mortuary poles that still stand on a well-protected curve of beach. It is undoubtedly the most elaborate Haida Mortuary and unlike any other on the islands. The central pole was originally about 5.4 metres tall, with those on the sides only slightly shorter. A fourth plain post at the back helps to support the burial chamber about 3.6 metres from the ground, which appears to have held the remains of a single individual.